In an attempt to be different, Fantastic Four leaves out everything lovable about superhero films – including fun.
After months (possibly years) of bad press and mixed anticipation for Fox’s reboot of Fantastic Four, the film released to scathing reviews and some added behind-the-scenes drama. The movie, helmed and co-scripted by Josh Trank, director of Chronicle, seeks to do something different in the superhero genre.
The story we probably know from the first series of films. In the name of science, a (future) husband and wife, her brother, and their friend, are essentially infected with different powers. They must learn to harness their abilities, while working as a team, to save the world.
The first two films were largely disliked for their goofy tone and cartoonish plot. In this 2015 reboot, they attempt to ground the film as hard as they can in reality, so as to not make the same mistakes as the other films.
Reed Richards (Miles Teller) is a brilliant young scientist who, with help from his childhood best friend Ben Grimm (Jamie Bell), builds some impressive spacetime-bending equipment. Noticed by Dr. Storm (Reg. E. Cathey) and his daughter Sue (Kate Mara) at a high school science fair (I guess they were just browsing random science fairs? Not too clear on the reasoning there), Reed is given a scholarship in exchange for help building the Quantum Gate with the Storms and the moody Victor Von Doom. Oh yeah, and Johnny Storm crashes a car and is punished by being made a high-valued member of the Quantum Gate team, for some reason.
Von Doom’s entire part in the film is completely inexplicable. From his introduction where he’s simply an angry brat who hates everyone, to his only occasional feelings for Sue Storm, to his on-again off-again friendship with Reed, to whatever his motives are for briefly trying to destroy Earth, Von Doom just doesn’t make any sense.
There are some admirable aspects to Fantastic Four. I appreciate the attempt at a grounded, realistic tone, but “realistic” doesn’t have to mean it sacrifices fun. In fact, there’s almost no action in the entire film. Isn’t that why we go to superhero movies? There’s only one real fight scene, and it’s horribly predictable.
The film started to really interest me when the four returned with their powers. Each was under observation, and everyone was scared for what could happen. Just when I thought the film would really explore the fear and psychological effects that these strange powers would have, the film jumps ahead a year, skipping the interesting part! I was so disappointed.
In the end, Fantastic Four had a lot of potential, ultimately wasted by forgetting why people see superhero films: to have fun and see crazy action. Without either of those elements, replaced by a really confusing and uninteresting story, Fantastic Four is a bust.
Sidenote: There was a lot of talk about either Trank being really hard to deal with or Fox putting too much pressure and control on a creative, leading to this mess. Without any of us truly knowing what happened, it’s hard to put the blame on any one person. For an interesting timeline of the bad press, check out this great article from Film School Rejects.