A Memory Called Empire (2019) – Book Review

A Memory Called Empire by Arkady Martine is a book I wish I could have written. It takes place at the turning point in the Teixcalaanli Empire, after the ambassador from Lsel Station (on the fringes of known space, with maybe an impending alien invasion?) tries to investigate the death of her predecessor. As the murder investigation heats up, so does the unrest at the heart of the Empire.

Arkady Martine’s prose is gorgeous and lush, and the world she’s created is exemplary, a sandbox for a host of series, if she wanted. The political intrigue, the machinery of empire, and the murder mystery are perfectly balanced, pulling the reader along one thread at a time. Martine recalls the Aztec Empire in her diction, and the Byzantine and aging, crumbling, stretched-thin western Roman Empire. There are shades of Panem’s sci-fi-Versailles debauchery, but on a galactic scale. The character development is fantastic and subtle, and the world building is expansive and truly epic.

This is another book that I wish I could’ve written. I really enjoyed the immersive world that Arkady Martine put us into: a distant future space opera featuring a vast empire, political intrigue, the threat of war, and almost cyberpunk technology at times. The political machinations and the interpersonal intrigue and the murder mystery at the heart of this book were incredibly engaging and thought-provoking. I can’t wait to read the sequel!

Lilo & Stitch (2002) – Micro Film Review

Lilo & Stitch is the utterly delightful story of the mutant creation Stitch who is indestructible and maniacal and has been exiled to the Earth and befriends a young orphan girl on Hawaii, Lilo. Along the way, they must dodge Stitch’s alien would-be captors and become inseparable friends.

Right from the start, we fall in love with Lilo. She’s obsessed with Elvis, she’s acting out because she’s broken up about the death of her parents, and she’s giving her older sister (who herself is struggling to make ends meet and keep guardianship of Lilo) a heck of a lot of grief. Lilo is also wonderfully snarky girl who is just wrestling with how to be. This is a beautifully, painfully human movie. And it’s moving, too. Moreover, Lilo & Stitch also got a distinct animation style, with almost watercolor backgrounds.

In the end, Lilo & Stitch is an excellent, original tale of two feral creatures who find their family together in a scary, different, beautiful world.

Star Wars: From a Certain Point of View (Book Review)

I mentioned the short story anthology From a Certain Point of View during my Top Reads of 2023 post because some of my favorite short stories of the year were contained herein. Funny, though, I didn’t finish reading it until early January. I definitely came to this a few years late (I’ve nearly given up on trying to catch new books and movies as they come out—too stressful, and I’ll probably write about that someday), as From a Certain Point of View came out as a part of the 40th Anniversary of Star Wars celebration.

First of all, its premise is exactly up my alley: tell the story of the people around the main storyline that we all know and love. We’ve had comic adaptations, retellings, kids’ versions of the Star Wars trilogy, but how do you tell it in a whole slew of new ways? Write snippets from many, many different points of view. And it pretty much works swimmingly.

Some stories just hit on all cylinders, and the ones I appreciated the most are short and to the point, befitting the tangential nature of many of them. Others are a bit overlong, digging way too deep and often becoming a bit too meandery.

The highlights:

  • “The Bucket” by Christie Golden is fantastic—remember that there’s. Human beneath that Stormtrooper helmet!
  • “The Sith of Datawork” by Ken Liu is so good—using bureaucracy to slow down the Empire, while trying to help it. Excellent.
  • “Stories in the Sand” by Griffin McElroy is the adorable and heartwarming tale of Jot the Jawa who dreams of the stars and stumbles upon an R2 unit with a full memory core. One of the best stories here.
  • “The Red One” by Rae Carson is the heartwarming, inspirational story of R5, the other droid in the Sandcrawler, and how R2 inspired him to sacrifice himself for the rebellion and for Hope.
  • “Bump” by Ben Acker and Ben Blacker is about the stormtrooper who Kenobi mind-tricked on Tatooine and the consequences of that weak-mindedness. Poor guy
  • “End of Watch” by Adam Christopher is about the stumbling block of blinding bureaucracy that pervades the Empire. I’m weirdly loving these few story types throughout this book.

Of course, I enjoyed many more than these few stories, but these are the head and shoulders standouts. The stories I found myself loving, which I’d not really have predicted, were the ones that dealt with the ineptitude of the Empire, hamstringing itself due to its own bureaucracy.

My 2023 Reading Year

I’m always reading something, and I’m pretty eclectic in my tastes. And this year is no exception to that, other than I re-read far more (at least in terms of novels) than I read for the first time. It always depends on how busy or hectic my work is, or if I have more days of downtime than normal. As many people do, when my head is full, I read for escape or distraction, but often I don’t want to take anything new in; I just yearn to revisit old, familiar worlds and characters. If you were to look at my Goodreads, it says that I read 124 books this year, but many of those were short stories (some uncollected), novellas, or graphic novels. I also track what I reread to teach–because I read right along with my students (I’ll probably do a Teacher edition of this post, like I did last year).

In anticipation of finishing The Expanse series by James S.A. Corey, which ended two years ago (but I haven’t had the heart to finish it), I began rereading the series. Anyone who’s hoping for some good, hard science fiction in the vein of The Martian but with an adventurous, socio-political aspect should read The Expanse as soon as possible. I’ve finished the third book (of nine) and read the connecting short stories as I go.

I also reread all of Ian Fleming’s James Bond books while rewatching the films with my family. While some of the novels are more than a little wonky and certainly questionable in this day and age (looking at you The Spy Who Loved Me and Live and Let Die), some stand out as masterpieces of espionage thrillers: From Russia With Love, Dr. No, and On Her Majesty’s Secret Service in particular.

After finishing those, I started a Tom Clancy reread as I watched the Jack Ryan Amazon series, which came to an end in July 2023. It’s got utterly nothing to do with the books, though it’s a decent spy series in its own right. I only got through the first two Clancy novels this year (Patriot Games and The Hunt for Red October), but I predict I’ll intermittently continue the reread next year, though finishing The Expanse will take priority.

My wife and I read together most evenings–yes, we are that adorable! We finished the last three Harry Potter novels at the start of the year, then the first two-and-a-half Eragon novels by Christopher Paolini (but I had a hard time with the insufferable titular character), we paused the Inheritance Cycle for the Bridgerton books by Julia Quinn (because I’m sappy–I can only somewhat recommend them), and are now in the middle of The Fellowship of the Ring. I’m sure we’ll return to and finish Paolini’s books next year…

I’m always up for a Star Wars or Star Trek novel, going straight back to my geek roots, but I’ve been trying to finish The New Jedi Order books for years now, and particularly stuck on Kathy Tyers’ Balance Point. I don’t think it’s any fault of Tyers, because once I got into it, it went quick. But have you ever had one of those books that you know is good, there’s no problem with it, but you just can’t get into it. That has been Balance Point for me. This makes it my biggest reading victory of the year. I took a detour into some Star Wars comics, namely The Rise of Kylo Ren and Darth Vader, Dark Lord of the Sith Vols. 1 & 2 by Charles Soule (which I highly recommend!). In this new year, I’ll be headed back into the fray between the Republic and the Yuuzhan Vong.

Oddly, I wouldn’t say I read many books that blew me away. Just a lot that were good. However, I read some exceptional short stories this year:

  • “Mozart in Mirrorshades” by Bruce Sterling (a fantastic bit of early cyberpunk involving time tunneling and anachronistic pop culture)
  • “Ankle Snatcher” by Grady Hendrix
  • “It Waits in the Woods” by Josh Malerman
  • “Destiny Delayed” by Oghenechovwe Donald Ekpeki
  • “The Churn” by James S.A. Corey
  • “The Butcher of Anderson Station” by James S.A. Corey
  • “Drive” by James S.A. Corey
  • “Evil Robot Monkey” by Mary Robinette Kowal
  • “Summer Frost” by Blake Crouch
  • “Pram” by Joe Hill
  • “Johnny Mnemonic” by William Gibson (I also read Neuromancer for the first time, which like this story boasts exquisite worldbuilding, but the plot just didn’t grab me)
  • “The Bucket” by Christie Golden (from the anthology Star Wars: From a Certain Point of View)
  • “The Sith of Datawork” by Ken Liu (from the anthology Star Wars: From a Certain Point of View)
  • “Stories in the Sand” by Griffin McElroy (from the anthology Star Wars: From a Certain Point of View)
  • “The Red One” by Rae Carson (from the anthology Star Wars: From a Certain Point of View)
  • “Bump” by Ben Acker and Ben Blacker (from the anthology Star Wars: From a Certain Point of View)
  • “End of Watch” by Adam Christopher (from the anthology Star Wars: From a Certain Point of View)

As for new book reads of the year, here’s a list of the standouts in no real order:

  • Legends & Lattes by Travis Baldree is a cozy fantasy about a war-weary orc who just wants to open a coffee shop in the city of Thune. It’s delightful.
  • Exit Strategy by Martha Wells. This is the 4th in Wells’ Murderbot Diaries, and is just fun and heartwarming as they all are.
    • I also read the short story that takes place between Exit Strategy and the novel that’s the 5th in the series: “Home: Habitat, Range, Niche, Territory”
  • Home Before Dark by Riley Sager is a ficitonalized retelling of the Amityville horror house and family (ok…it was already fictionalized and sensationalized, but this one is a lot of fun)
  • Home Style Cookery: A Home Cookbook by Matty Matheson. Look, Matty Matheson is my favorite YouTube chef. He’s a hot mess and is not for everyone by any means. But he makes good food, and he’s a good dad and husband. This cookbook is fantastic and fun to read.
  • This year, I discovered Becky Chambers, and while I didn’t read her entire bibliography, I will be soon.
    • The Long Way to a Small, Angry Planet is the first in her Wayfarers series, about a ship that’s drilling holes through the fabric of space for hyperspace travel. It’s very nearly cozy science fiction about a crew coming together.
    • A Psalm for the Wild-Built and A Prayer for the Crown-Shy are the two entries (so far) in Chambers’ Monk & Robot series of novellas, and they’re books I wish I’d written (in fact, Chambers’ writing was deeply inspirational to me as a writer this year). They’re just about a monk with a tea-cart and a robot who has come out of the wilds and they philosophize together about life, the universe, and everything.
  • Catherine, Called Birdy by Karen Cushman. After the phenomenal film of the same name that came out last year, I had to read this, which has been on my to-read list since junior high. It’s fantastic and a must-read.
  • My wife gave me J.R.R. Tolkien’s Letters from Father Christmas (Centenary Edition), which is beautifully illustrated. Each year for twenty years (some bigger, some smaller) Tolkien wrote letters to his children from Father Christmas, which included everything from polar bears to elves to goblins. These are heartwarming and inspiring.
  • How to Sell a Haunted House by Grady Hendrix is a bonkers read. If you haven’t read Grady Hendrix (especially if you like Stephen King), what are you doing? This is a tale of grief, of family entanglements, and (of course) haunted killer puppets.
  • Wizard & Glass by Stephen King is the 4th in his Dark Tower series that has taken me the better part of a decade to wade through. This one, in fact, took me two tries. I put it down because I just couldn’t get into it, but finally I did (on audio!) and loved it.
  • Finally, I’m always trying to find some nuggets of C.S. Lewis, some corners of his bibliography that I haven’t perused yet. I found his An Experiment in Criticism to be a compelling discussion of how to read and immerse yourself in books as a writer and thinker. Finally his The Four Loves is just thoughtful and strong, and I suspect I’ll use it when teaching Romeo and Juliet later this school year.

That’s my year in books! I’m sure I’ve overlooked some, but I look forward to my next reading year! What have you been reading?

Some Reflections upon Star Trek

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Because this year marks the 50th Anniversary of Star Trek, I’ve been making my way through the series and films, and even some of the books. I knew at the beginning of the year that, with my busy schedule, I wouldn’t be able to commit to an insane “all series and all films in a single year” challenge (though I’d have loved that). But with my summer a bit more free (or at least flexible), I started The Next Generation just to see how far I could get, and I binged like I never have before, plowing through the entirety of TNG in just about a month. I’ll move onto Deep Space Nine soon, after finishing the TNG films. With the school year starting, I’ll not be able to go as quickly through DS9, but I still plan to try. And after that will come Voyager, and after that Enterprise–I’m excited to continue this trek.

I grew up watching Star Trek. It’s probably been the most influential aspects of pop culture for me (of course followed closely by The Lord of the RingsStar Wars, and Harry Potter). But Star Trek has been with me the longest, a fast and reliable friend. I’ve journeyed countless times with the crews of the starships Enterprise, most often with Captain Kirk and his crew, but often enough with Jean-Luc Picard.

Star Trek: The Next Generation is almost exactly one year younger than me–our birthdays are both in September–and my father has been a fan of The Original Series since before syndication, collecting the Bantam and Pocket Book novels and novelizations, all of which became my reading material growing up. Even more, he subscribed to a VHS-a-month club which sent us a new videocassette with two episodes of The Original Series on it. Because of his fandom, the VHS tapes and books on the shelf, I was inundated from birth. I didn’t stand a chance. I’m not saying I remember watching the TNG premiere, but I might as well have, because I was there from the beginning and right through until the end.

Only once have I gone chronologically through Deep Space Nine (we didn’t watch it as much when I was a kid, because they didn’t do as much exploring as Picard’s Enterprise did), though I have regularly caught episodes enough to have seen most of them two or three times. I clearly remember watching Voyager‘s premiere: there was a storm that day which messed up the TV signal, and I was furious because who knew when it would be on again. Likewise, I’ve watched through Voyager only once chronologically on DVD, though during its original run I recorded as much as I could on used-and-reused VHS tapes, which I horded and watched again and again, though never really in a cohesive order. It wasn’t until college where my local library’s DVD collected brought me a full rewatch of each series.

The first time I ever tried my hand at creative writing was Star Trek fan fiction, somewhere around the age of ten. I produced (bad) fan art, long before DeviantArt was a thing. I read and reread the books (many of which I inherited from my father, who introduced me to Star Trek), pored over technical manuals, the compendiums, the Encyclopedia. The first websites I remember going to, early in the 1990s, were Star Trek fan sites, with people in chat rooms and message boards creating their own crews, and role-playing or proto-LARPing. When the Next Generation movies came out I remember going to the films’ websites, waiting impatiently for a poor-quality video to load at a glacial pace, hoping for a glimpse of the new Enterprise-E, or just seeing the cast I adored in uniform once again.

I endlessly played make believe with action figures and props from each of the incarnations, coercing my friends (and, more reluctantly, my brother and sister) into both reenacting missions from the series and then creating our own. I did not keep my action figures in their packages (only a little to my current-self’s chagrin)–they were well played with, their batteries constantly wearing out, and when they did, I provided the much more varied sound effects.

There are bad episodes of Star Trek out there: “Spock’s Brain” and “The Turnabout Intruder” from The Original Series, “Code of Honor” and “Genesis” from The Next Generation, Deep Space Nine’s “The Emperor’s New Cloak” and “Move Along Home,” Voyager’s  “Threshold” or “The Thaw,” and from Enterprise “Two Days and Two Nights” and “A Night in Sickbay.” Other people will have other episodes on a “worst of” list. Yet for every poor episode or eye-rolling moment (and there are many), there’s exponential redemption in some of the best Science Fiction on television: “The Best of Both Worlds,” “All Good Things,” “The Inner Light,” “Trials and Tribble-ations,” “The Way of the Warrior,” “Year of Hell,” “Blink of an Eye,” “Carbon Creek” or “Regeneration.” I know some will dispute this list, and that’s fine.

Good Star Trek is science fiction at its best. Sometimes its just fun technobabble (oh, those flighty tachyons and the hijinks they get up to), and sometimes its an exploration of humanity, of our nature, of the great things science can do–or the treachery to which over-dependence on technology can lead.

What I’ve always loved about Star Trek is the idealism, the code of ethics they pursue with each and every mission. They fail at times, yes, but they pursue some greater good throughout each series, striving to stand for something. During the turbulent 1960s they subtly yet powerfully advocated for racial tolerance, dealt with the futility of the Cold war in the 1980s, and told tall tales of great themes that would make Shakespeare proud. They struggle (and often fail) with relativism, often allowing beliefs to stand even when they are wrong, all in the name of tolerance. Quite often, tolerance is equated with acceptance or endorsement–and yet time and time again, a standard of Right is maintained.

This is why I watch Star Trek. As we move into this series’ 51st year and beyond, I hope that Star Trek‘s roots are maintained. We’re about to have a new series: I say push boundaries, say new things, go new places. But, stay with what is Right. I hope the more serialized nature of Discovery will tell brilliant stories of that Final Frontier. However, Star Trek does not need to be Breaking Bad. We don’t need anti-heroes and dark, brooding shows (though of course there is an excellent place for that in today’s TV canon). We need inspiration in our pop culture, a return to optimism, to pursuing what is right and good, to taking us on exciting and fun adventures, to hope.